Repertoire organization
Classification and documentation of works, sound recordings, authors, performers, producers, and ownership percentages.
Repertoire, rights and royalties
Registration, royalty collection, and management of musical repertoires, works, publishing catalogs, and master recordings.
Explore the serviceMusic assets
A music catalog can represent one of the most valuable assets of an artist, producer, publisher, or company.
Preserving and increasing its value requires organized rights, registrations, contracts, metadata, ownership shares, and associated revenue streams.

Comprehensive management
An organized catalog makes it easier to protect, manage, and commercially exploit its rights.
Properly organize works, recordings, and rights holders.
Monitor royalties, reports, and revenue generated by the catalog.
Identify inconsistencies in metadata, contracts, or registrations.
Facilitate the commercial exploitation of musical repertoires.
Maintain organized legal and administrative documentation.
Catalog management
Legal support designed to identify what your repertoire contains, who owns the rights, and how it generates value.
Classification and documentation of works, sound recordings, authors, performers, producers, and ownership percentages.
Analysis of titles, identifiers, rights holders, credits, ownership shares, and other relevant catalog information.
Review of statements, payments, collections, and potential inconsistencies in the revenue generated.
Identification of opportunities to license, manage, or commercialize the catalog in an organized manner.
Common situations
Catalog organization becomes essential when the repertoire grows, changes ownership, or begins creating new commercial opportunities.
The growth of the repertoire makes it difficult to track rights holders, ownership shares, contracts, registrations, and pending matters.
The royalties received do not match expectations, or the information provided is incomplete.
You need to demonstrate ownership, organized documentation, and commercial value to a third party.
You need to identify which rights form part of the catalog and how they may be managed or commercially exploited.
From assessment to management
We first identify what exists. We then organize the information and define a monitoring and management plan.
We review works, recordings, contracts, registrations, rights holders, and existing documentation.
We structure the information to identify rights, ownership shares, inconsistencies, and pending matters.
We define mechanisms for monitoring, collection, reporting, and commercial exploitation of the repertoire.
Receive guidance to identify rights, pending matters, and opportunities within your repertoire.